Why am I sitting on the floor? Because today I am selecting works for archiving, a careful process of archiving paintings within the larger structure of my oeuvre.
A Short Trip to the Outdoor Studio
With our small boat, I cross the water. It is a short distance and always a small outing, moving between water birds and the branches we have to avoid. Toward the shed that stands faithfully on our piece of land. On one side, the distant energy of the street. On the other, our hidden piece of nature.
Space inside the barn
This large barn becomes a workspace whenever the temperature allows it. The layout changes constantly. Tables move, panels lean against weathered wood and paintings are placed wherever there is room.
My husband and I share this place. We each work on our own projects, often side by side. Today, I am sitting on the floor, looking through paintings I have made over the years.
Looking at the work again
I place paintings next to one another to see what happens when they are together. Sometimes I notice a connection between works from different periods. Sometimes I see how my way of painting has changed.
Having the space to spread everything out helps me decide which works belong in the archive and how to organise them.
There is a practical side to this, too. Keeping an overview means I can find the right works and information when preparing an exhibition, submitting an application or responding to someone interested in buying a painting.
“For me, selecting work for the archive is also an opportunity to look at what I have made, with a little more distance than I had when I was painting it.” – Leonoor
For context, see the Artist Vision and Symbols & Narrative.
For a personal note, read blog.