Artistic Vision — Contemporary Dutch Female Artist Leonoor Ruigrok
Layer by layer, image by image, I build spaces where tenderness and strength can exist at once. For me, layering takes precedence over clarity, tension over resolution, presence over perfection.
Therefore my work is not about decoration, but about opening toward depth. For me, depth matters more than surface.
If you are looking for my position within the Dutch art landscape, you can read more about why I identify as a woman artist in the Netherlands. Here, I speak about the work itself.
Contemporary for me, does not mean trend-driven. It means aware.

This sense of freedom also shapes what others may experience when encountering my work. I often speak about the sources of my symbolism and the use of narrative compositions. At the same time, my work does not need to explain anything. It may leave room for personal interpretation, for the viewer’s own story. There is an open ending, and that is very important to me.
From this position of freedom, I allow my intuition to become a point of contact with what is happening in society. That is the starting point of all my work. Of course, it is powerful when a painting instinctively captures something of a collective feeling. When that happens, I know the work has done what it needed to do.
There is an open ending, and that is very important to me.

NO LABEL, BUT…
Female Perspective – Presence in Layers
My emotional perspective is rooted in lived experience, in being a girl, a sister, a daughter, a woman, and a mother. It is not a one-sided view that fits typical ideas of what is considered feminine or masculine in familiar clichés.
Femininity in my work is not a theme but a presence. It appears in layers, such as vulnerability beside strength, silence beside resistance. The feminine appears alongside the masculine. In my images they form a whole, and both are given space.
Refinement is connected to instinct, and both are allowed to coexist. A raw gesture may break through the surface or remain visibly present within it.

Symbols That Enter my Work
Symbols are never planned in advance. They appear.
The hare arrived first, vulnerable, clever, resilient. Later the deer entered, grounded, alert, strong. Steadfast houses, female figures, and wild loose hair also recur.
These symbols are not illustrations. They appear when I feel they are needed, solitary, mixed together, absent for a time, and then returning within a new composition.
Colors, brushstrokes, or sometimes palette-knife marks are placed from intuition. At the same time, I consciously search for tension and a narrative composition.
If you want to explore the deeper narrative layer, visit the page on symbols & narrative. Note: it is not only my story. It’s about me and the surrounding.
Contemporary Dutch Female Artist in the Dutch Art Landscape

I position my stories in the time of now. Contemporary does not mean trend-driven. It means aware.
Being aware of what is happening in the world around me and responding to it through visual language. Within the Dutch art landscape, my work explores symbolic imagery and layered narratives.
Being Dutch, to me, means exploration, the courage to experiment and the legacy of centuries-old painting techniques and art history, but also the wind in my hair and the flexible force of water that continues to shape and challenge me.
Being a woman remains a layered presence in my artistic practice, carrying both femininity and the masculine within it. It comes from experiencing different roles. In this I am lightly inspired by the book Two Queens and a King by R. J. Peskens, and also by my upbringing, in which clear male–female clichés were largely absent.
WOMAN ARTIST – An open perspective

available work
Let’s connect
Curious to drop by my studio in Voorhout, interested in one of my works, or thinking about a potential collaboration? I’d be glad to hear from you. I enjoy working with collectors, curators, galleries, designers, architects, interior creatives, and brands.
Looking forward to your message!



